Description
Nineteenth-Century Masters of Angono Art
By JAMES OWEN G. SAGUINSIN
With Foreword by Elena Rivera Mirano, PhD
Series: Fifty Shades of Philippine Art
Copyright © 2023 Vibal Foundation, Inc.
128 pages; 22.86 x 30.48 cm
Dating back 5,000 years to ancient petroglyphs carved on cave walls, Angono’s long artmaking tradition has produced two National Artists, numerous art galleries, and the famous Higantes Festival. The town gained renown as the “Art Capital of the Philippines” after Carlos “Botong” Francisco’s modernist paintings captivated the art world. However, even a master like Botong stood on the shoulders of Angono’s giants who came before him—artists like Juan Senson, Pedro Piñon, and Moises Villaluz Sr. The works of these old masters, Angono’s own “triumvirate,” are little acknowledged and seldom studied, apart from a few pieces which have ended up in the Bangko Sentral ng Pilipinas collection as cultural treasures.
Nineteenth-Century Masters of Angono Art endeavors to write anew the town’s art history, showcasing the lives and oeuvres of these foundational artists. Author James Owen Saguinsin has spent more than twenty years doing research in Angono and its neighboring towns, interviewing local residents and relatives of the artists, and scouring old bodegas and family homes for artworks that have managed to survive war, calamity, and the ravages of time and neglect.
Illustrated with more than 100 artworks—most unearthed by the author and documented here for the first time—this book explores the history of Angono, the role of Senson, Piñon, and Villaluz in shaping the town into the national art center it is today, and their contribution to the Filipino artistic identity.
But Botong stood on the shoulders of these great masters who came before
him. Much more than just a historical presentation of the life and works of
Senson, Piñon, and Villaluz, this book makes us realize the greatness that
runs in our blood…. The greatness of Angono does not depend only on the big
names that made, and continuously make, our town known. It lies in every
simple and ordinary citizen of Angono.
Rector of Manila Cathedral
years of his life to accomplish this worthy endeavor, discovers not just the
forgotten artists and artworks but also the forgotten life and faith of the
people of Angono…. [It] reminds and challenges each one of us to continue
to search for unsung artists who made a great impact in our present era.
This book is also leading us into reflection on the effects of faith and culture
on art and art on faith and culture. Through this book, we can have a
dialogue with the past to understand the present.
Shrine Rector and Parish Administrator at the
National Shrine of Our Lady of Peace and Good Voyage
prior to his death
CONTENTS
Foreword by UP Professor Emeritus Elena Rivera Mirano vi
Preface viii
Acknowledgments xiv
Introduction xvi
I. Familiar Masters 3
Juan Senson 4
Tandang Juancho 7
The development of a genius 15
Pedro Piñon 18
Moises Villaluz Sr. 24
Life in Los Baños 27
Moises’s touch on the modern Botong 29
II. Of Power Struggle and Influences 33
Hacienda de Angono 34
St. Clement Parish Church of Angono 43
Academia de Dibujo 61
III. Aura of the “Unknown” Artists 69
Early Scholars of the Nono masters 75
IV. Process of Authentication 81
Senson, Piñon, and Villaluz Chronology 100
List of Images 102
Bibliography 106
Index 107
ABOUT THE AUTHOR
James Owen Gragera Saguinsin is an associate professor at the Far Eastern University, where he teaches art appreciation, and where he served as chairman of the Department of Literature and Humanities from 2010 to 2014. He is the founder and director of the Angono Cultural Heritage Office, which focuses on preserving the town’s cultural identity.
Saguinsin obtained his bachelor’s degree in art studies and master’s degree in art history from the University of the Philippines Diliman. In connection with the author’s undergraduate thesis titled “Buhay at mga Gawa ni Juan Senson,” Juan Senson’s artworks were exhibited at the St. Clement Parish Church in 2001. The author’s master’s thesis, titled “Juan Senson at Pedro Piñon: Mga Di-Kilalang Manlilikha ng Sining noong Panahon ng Kolonyalismong Kastila at Americano,” eventually led to an exhibition of Senson’s works at the Metropolitan Museum of Manila in 2009 titled Juan Senson: 19th Century Master of Angono. For his achievements as an art historian and a cultural worker, Saguinsin was awarded the Natatanging Alumni Award by the UP Diliman College of Arts and Letters in 2018.
As the great-grandson of Pedro “Dendong” Kapili Gragera, the first known genealogist of Angono (b. 1911 d. 1995) who researched and wrote the first family tree of the Gragera clan, the author has been instilled with the value of preserving heritage.
SEE THE BOOK LAUNCH PHOTOS HERE:
RELATED LINKS:
Press Release: Vibal Foundation Celebrates National Arts Month with the Launch of Nineteenth-Century Masters of Angono Art
Read Jaime Laya's article on Angono Art history based on Saguinsin's Nineteenth Century Masters of Angono Art
Read Agimat.net's feature on the book and launch
ABOUT THE COLLECTION
Fifty Shades of Philippine Art is a series of affordable and concisely written books on fine, modern, or popular art. Among its titles are Heritage Churches of the Cagayan River Basin by Javier Galvan (2022), Isabelo Tampinco by Santiago Pilar (2018), Toti Cerda by Laya Boquiren (2019), Francisco V. Coching by Andrea Peterson (2019), Damián Domingo by Luciano P. R. Santiago (2020), Philippine Cinematic Art by Andrea Peterson, Gaspar A. Vibal, Christopher Datol, and Nick Lajom (2020), and The Art of Window, Display, and Design (2021) by Chito Vijandre and Ricky Toledo.
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